Thursday, July 21, 2011

F6


        The fourth coin drops through the slot. The digital display is flashing one zero zero, one dollar. I can buy anything I want. Actually not anything, just a bunch of junk. Chicken salad, ham and cheese, turkey club. Food full of funky chemical agents like Sodium Benzoate (also used in car anti-freeze) and Trisodium Phosphate (you have to wear rubber gloves and goggles when you handle the stuff because it dissolves grease.) Plastic space age crap. A chimpanzee would have the wisdom to just stay away its so unnatural; even a starving dog wouldn't be interested. Makes me sick to the stomach.
        The principle is this. Pay up, then make a selection using an alpha-numeric pad. Letters from A to F and numbers from 1 to 9. If you have enough credit a coil spins and as a consequence pushes the food you chose forward. Then the delicious super processed piece of plastic wrapped consumable drops into the delivery tray. Push the flap at the bottom and pick up the object of your desire. Also, don't think you can stick your hand in the machine and grab stuff because you can't.

        There are fifty four items to choose from and whichever one I choose will tell you everything you need to know about me.
What I want is item F6. The price is $1.25 so I need to drop another quarter in the slot.
        In a display worthy of the village idiot I fumble the coin. The coin follows a neat parabolic arc to the floor. Starts to roll with that distinct sound. The laws of probability dictate that it has equal chance of rolling in any direction. Let me tell you that almost all the time it's gonna go somewhere you can't reach. Having said that the coin is now under the machine.
        The digital display tells me I still have one dollar. The only thing you can buy for one dollar is some kind of blue cookie. With sad pink globules on top. Nobody wants to buy those, the coil where the blue cookies are is still full. It's blue because of Indigotine, a petroleum-derived triphenylmethane. Mice die from acute convulsions immediately after being injected with Indigotine. Those cookies would fit right at home among some chemical warfare recipes, like the one that melts skin. The idea is to unleash a huge payload of this skin-melter over enemy territory. Hilarity ensues. Now, imagine that enemy garbage gorging on blue cookies, then dying in a staccato convulsion dance. Nice stuff. Should fuel the usual talk I have with those crazy guys from the chemlab during cigarette breaks this week.

        I'm all for the blue cookie. Maybe I'll make it a staple in my daily diet. I can see it now, me at my desk, munching a nice blue cookie while my coworkers eat whatever their wives packed in their plastic lunch boxes. I wish for once I could take a plastic lunch box and slam their faces in with it. I bet they pack their wives in there too. If so, I'd like to open one of them red lunchboxes and get me one of them Mechanical Stepford Wives. Wind them up and watch them go go go. No matter. The building is empty. It's empty because they all went home. It's empty because it's the middle of the night. No red lunchboxes, no stupid coworkers. On second thought I don't want to die from acute convulsions. No blue cookie. I need to find twenty five cents. Seriously. What I want is F6. I must have F6. The blue cookie's B4 if you're curious.

        There's a camera filming this vending machine. Like it's so important to film the fucking vending machine. There are cameras everywhere here. You can't take a dump without being recorded and analyzed. The government's money at work.
        I just have a five dollar bill and the machine just accepts coins. I press the button to get my money back and nothing happens. I press the button another fifty times but it's either broken or the makers of the machine never intended to give money back. I kick the vending machine; I'm not even making a dent. I shake the machine trying to dislodge F6. The damn thing must weigh a ton. Who knows why there's this yellow warning sticker on it showing a stick man getting crushed by the machine, just because he toppled it. Damn greedy stick man, got what he deserved.

        I debate leaving the premises to go find change. It's OK to leave. The building is still as empty as a minute ago. Where I am I can't tell you because I work for a DOD contractor, the Department of Defense. Everywhere I go there's always a stick man in distress. Everything's gonna build up to the stick man and away from him. It's all about the fucking stick man. Or stick men. An army of stick men, all the same. Damn the stick men, damn them all to hell. I can't be thinking about them at the moment, I've got pressing business. Important business. Stuff to do.
        After I procure myself item F6 I have to go back to my office and assess the destructive capability of this new Weapon System I'm working on. They call it the Department of Defense because they don't want to look like they're in the business of killing people, only that they're trying to defend themselves from those in the business of killing people. I guess it would be harder to justify spending 90% of your national budget on something called the Department of Mass Murder (DOMM).

        When I get back to my office, she's there waiting for me. Her skirt and blouse are on the floor and she's bent down over my desk, in her underwear and shuffling papers. I get to her and grab her hips and tear off her white panties. After that I take my growing meat from my pants and guide it to her wanting pleasure hole. She's moaning and panting as I slide my love stick in and out. After five minutes I'm almost ready to blow my load and she disengages and drops to her knees and takes me in her eager mouth as I explode.
        The first rule of war is rewarding a soldier for his actions. Like those stupid little ribbons and medals they give, Purple Heart, Medal of Honor, whatever. The guys in the psych lab think that just about anything will do. Drugs, peanuts, whatever.

        We both get dressed and I ask her if she has a quarter because I need one to buy some junk food. No, she doesn't have any. I look through my desk and find no coins. To hell with ethics, I start to look in every drawer of every cubicle. Everyone has to start with a cubicle job first. Sometimes a guy dressed in a military uniform will walk through the avenue of cubicles. Is he inspecting or just killing time I don't know. Sometimes he barks like a dog. Out of the cold dead blue. Woof woof. Maybe he's a military reject psycho, some poor sap who couldn't cut it getting raped by a drill Sargent. Probably he snapped. Has admiral stripes on his coat. Damn.
        I hate his place, my job is the mindless stroking of computer keys. Here I'm just a grunt, an overworked cubicle rat. My boss is this pig faced moron who doesn't know the difference between a terminal and a coffee machine. I have fantasies where I put a knife to his chubby throat, then I carve him up like I'm cleaning fish.
        I'm in a random, dead-end no-window cubicle job. Where I work is classified, can't even tell the retarded cop who stops me everyday to tell me I'm going too fast. He asks me everyday, and I always tell him, it's top secret, classified, see this badge, this is from the DoD. Listen, what this means is I can't tell you squat, you can't even arrest me, or give me a ticket, so, piss off.
        I need a quarter, so I go back to the cubicle area. Maybe one of those random idiots I work with have one buried somewhere in their desks. A real clown parade they are. The guy who works behind me is this spazz with a Moses beard and a missing index finger on his right hand. I urinated in his coffee while he was taking a dump (probably being filmed), crazy bastard drank the whole thing.
        Then there's this guy in the cubicle next to mine. He actually talks to his lunch when he thinks no one's there. He strokes his bananas a lot. Last Tuesday I put his lunch in the trash while he wasn't looking. He didn't like that. Fat bastard.
        Now this cube, lined with Dilbert comics, is where this ex ultimate fighting loser (never won a damn match) works. Guy's old and decrepit now. Probably the after effects of all the steroids he took. Let me tell you that after seeing Dogbert one thousand times, you just want to put the damn thing to sleep.
        This is the desk of the office savant. You know like rain man, he keeps telling me about the fucking rabbits in Iowa, where the company has their annual award ceremony, where he always gets the employee of the year award. Guy has an IQ of 169. Wouldn't know it to look at him though. His desk is crowded with these moronic statuettes. Porcelain rabbits. I hate him.
        Then there's this guy, his name is Joe. Joe from Russia. He won't talk to anyone. He keeps his green lunchbox (he's an original) under lock and key, like there's a ten pound gold fork in it, like there's not only a sad little saran wrapped pizza with a big peeled radish next to it.
        I search all their desks. Nothing. No coins I mean, but I did find a lot of interesting objects that my co-workers would rather not have anyone know about. If they think their secrets are safe because of the cheap little lock installed on every drawer, well they'd be wrong. F6 will have to wait for the moment but having enough material for thousands and thousands of dollars of blackmail has given me a little satisfaction. For now. I also found six coffee cup branded with the stupid company logo. The government's money at work.

        The DOMM has a tendency of hiring less than morally balanced minds. Those kids who burn bugs with a magnifying glass or find creative ways of killing a hamster usually grow up as good candidates for this type of work. My talent as a kid was finding clever ways of destroying my sister's dolls. Stuffing one full of Acetone Peroxide (that is sulfuric acid (drain cleaner), hydrogen peroxide (hair bleach) and acetone (nail polish remover), just make sure you don't blow your hands off), and a mixture of ketchup and ground meat gives a great show for all.

        In the end, it's all a big dick contest. Who has the biggest bomb, the fastest plane, the best probability of kill. I for one can't wait until we have huge armies of robots just itching to destroy anything that moves. So if your kid likes to jump on packs of ants don't scold him, send him to college so he can get an engineering degree, and remember that war is the most lucrative business there is.

        The building is empty. Chubby's office is locked but I have the key, a copy I made when he asked me to water his plants the week he went to London to show off our latest weapon management algorithms. I eyeballed him for a full ten minutes once while waiting for him to figure out how to print a document. He told me I was a creep. That I was quite a piece of work. Yeah, I bet he wants a piece of my ass too. I unlock and open the door and switch the lights on. On his desk, which is surrounded by an impressive collection of old hand guns, a Walthers P38-9mm, a F.N. 38 revolver, a VIS-9mm (a Nazi favorite), a Smith & Wesson 38 Standard revolver, none of them loaded or in firing condition, is a shiny silver quarter. I pocket the coin. In his top drawer is his loaded Glock 37 .45 GAP, I pocket that too. In my fantasies, after I'm done slicing chubby, I take this same Glock, I burst into the cubicle farm, and I pump round after round into all the worthless human wastes flapping at computer keyboards, blandly staring at their screens. I'd be doing them a favor.

        Strange things happen here at night. You always hear stories, but I know, I seen stuff that would traumatize the most hardened serial killer. I run back to the cafeteria, where the vending machine is waiting with my dollar. The Glock is digging in my hip bone. I put my hand in my pocket to make sure the safety's on, blowing my wang off is not part of my plan. When I get there and as I guide my boss' quarter into the wanting slot of the machine I notice something's wrong. I hold on to the coin. The digital display tells me I have zero credits. Also the F6 coil is empty.
        The building is empty. Someone is fucking with me. I put the coin back in my pocket and take out the Glock, and switch the safety off. Maybe one of those crazies from the bio-lab is still here. No one wants to go in the bio-lab because, frankly, it's disgusting. Just hearing the stories are enough to make you spray your lunch. There is this myth circulating that the company president pissed his pants just reading a tech report. The bio-lab is sealed off to anyone who doesn't have a clearance level of 5 or higher. My clearance level is 2. The stuff I seen is My Little Pony compared to what goes on in the bio-lab.
        The kids who put their pet hamsters in the microwave, well, they work in the bio-lab now. What the government wouldn't want you to know is that the testing is not restricted to hamsters.
        In the cafeteria all the lights are off. The chairs have been put on the tables. A spiky forest of metal legs. My boss tells me that the robot soldiers are being built right now, and that he’s fighting to get the contract so we can program them. He even tells me that some prototypes are in the building right now. If we don’t get that contract the government is closing us down.
        I see movement next to the garbage can. I learnt how to shoot a gun when I was a kid. My uncle what gun crazed. He would take me to the local dump to shoot rats. The thing moving next to the garbage can is not a rat.
        It’s her again and this time she ain’t naked.
        She’s holding item F6 up in both hands. Cupping it. I yell “Drop the item!” but she doesn’t move.
        They want the robot soldiers’ brains to be hardwired neural networks. Some people at MIT are looking into using biological neural tissue to build these. For one thing it would be cheaper than silicon. Or probably they're using both. Cyborgs. Fun things we do here.
        The building is empty. I run towards her so I can pry F6 from her small hands. She’s aware of me now and she gets up and runs away. Out of the cafeteria and into the main corridor. There is a line of fake plastic palm trees in the main corridor. When I get there she’s gone. The fake trees are palm trees because it’s the most calming, research says. Like we’re supposed to think we’re at the beach or something.
         The corridor is empty. At the end of it is a door. The bio-lab.
        When I started working here, at my interview, they asked me what I thought of animal testing and if I minded working on technology designed to kill people.
        The bio-lab door is bullet proof glass. My clearance level is 2. And I see her through the glass door. When she sees me she disappears deeper into the bio-lab. Chubby’s clearance level is 5. So I run back to his office and find his passcard. His picture is from ten years ago, when he still had some hair left. When I started working here he wasn’t director yet. Everyone has to start with a cubicle job first. His desk was behind mine. He kept telling me that the Japanese were ten years ahead of us. He got to be director when the guy that was director before him disappeared. He stopped coming to work.
        He told me the Japanese won’t make robot soldiers, that instead they were making robot insects. What happened to the old director nobody knew. A police detective interviewed everyone at work. He told us his apartment was empty. A national search warrant was issued. That was ten years ago.
        They never found him. The FBI, the police, whatever. They’ll never find him.

        I flash the level 5 passcard in front of the reader and the bio-lab door slides open. I step in. The entrance is blocked by another door. The purifier they call it. I push a button and step in. After I’m purified the door that leads into the lab opens.
        As soon as I’m in she jumps me. Her mouth is wide open and she’s aiming her teeth at my jugular. I put my hand between me and her teeth and she bites my hand. Around us are cages with deformed chimps and hamsters and dogs and things I can’t even recognize. The chimps all start screaming when they see the blood pissing from my left hand. She won’t let go and she’s surprisingly strong. So, I do the only thing that comes to mind when her teeth go for my jugular again. I stick the nozzle of the gun in her mouth and pull the trigger. The chimps are going ape shit now. The thing is, even with her head blown off her body is still going. She’s choking me now. I aim the Glock at her torso and unload the whole clip.
        When I get up and look down, she’s still wiggling. She’s not going anywhere. I rip off part of her skirt and bandage my hand. What I get is the impression that she’s not human. Second rule of war: de-humanize the enemy.
        The Glock is empty.

        Condensed air is coming out of a vent over a heavy looking metal door to my right.
        I push the door and it’s the morgue. On the five metal tables are two human bodies and three chimps. They all have one thing in common, they have no heads. On the back wall is a shelf with three smaller and two larger brains in bottles. The approximate power consumption of the human brain is 30 Watts. A usual light bulb consumes 60 Watts. I go back to the main lab, where the chimps are.
        There are figures moving behind the glass wall at the far end of the lab. The chimps have calmed down. When I get to the glass wall, I look inside and a bunch of white coats are standing around a table. Some poor guy is lying on the table with tubes sticking out of every orifice. Pins with wires are boring into his brain. I look back into the lab, the deformed chimps are silent.
        I knock on the glass wall and two white coats turn around and spot me. They exchange a few words and one of them goes to a console and flips a switch.
        I black out at that moment. When I regain consciousness I’m on a table and I can’t move my head or anything else. I’m surrounded by five white coats. “Lets try this again now mister Green, maybe fifty is your lucky number.” Their voices are moving away “Turn up the power and regulate the amplitude of his synaptic activation potential this time. Put a hard limiter of point five micro-volts …” He turns a valve on the tube that is coming out of my right arm.
        The fourth coin drops through the slot.


Sunday, January 17, 2010

688

I am nervous. She is disgusted by me, by my apathy. I do not feel like a writer (def.) what is the spark. Back to last Thursday; nuit blanche. The essay; to finish before Friday. Five pm. Day (def.) notion without meaning. The ride is over. I step out of the gate. Again; and I want to go back again. Again, but I cannot. I am solemn. The park is closed for repair. Lack of sleep illuminates – sleep erases. Fragment, be linear; sequential, referential. I am full of holes. She is contained. Tyrant (def.) of the retina, to pound into sub mission under blue-white sun. I had to go To go back. fifteen pages. Before four pm. Empty in the brain a bit; while (alive) do (perceive; think; act; adapt; learn; feel) end. This program does not crash; it merely ends; it is too stable. Peel and Sherbrooke. The Cab pulls over, in front of the Bank. I am not this point, I am leading to this point; like it led me to every other point before; a pattern per quanta repeated. "I’ll be right back." I step out; the cold bites; the Cab awaits; middle aged. Overweight. Blues Man (under perched). Fedora hat. Gravity is playing nasty tricks with his skin. I open the passenger door. I lean over the passenger seat (hurry) Thank You. Please remove your card. I have been thanked. Odd; over a crisp twenty dollar bill. I should have worn a hat. Six eighty-eight Sherbrooke, fifteenth floor. My money is up there. But where is six eighty-eight Sherbrooke. I am in front of the McConnell building. I cannot err and wander about aimlessly. I must go east, I think: students running (in herds, hurry) it should have taken under three to get here. Minute twenty-five of wandering-about later and I (stand in front of six eighty-eight) and figure; my head is frozen. Magnitude (def.) one order is times ten. I cannot think; the thawing of my head. And my money; of anything else but throbbing; contain me. This program does not crash. Monday. Nine. Four nine. Four Morning. Nine. Nine four. Four nine. Monday. Monday morning. Nine forty nine forty. I have to go. To meet with – McConnell building. Black soot. Fifth floor, ten am she calls a taxi (is taut) while I wash my face. Are the elevators working. Are the elevators working; the arrow over the middle lights up. Mirror (def.) to make dim the little it reflects; period. The door opens; period. I enter and am crowded by an image of myself. And a small Asian woman. Fifteenth floor. My money is up there. And a small Asian woman is telling me that the button stating “ground” is useless because there is no ground level. I push it out of curiosity. It lights up but as I let it go reverts to the same state: Off, as before. There is no ground level. Coal does not reflect; it absorbs. I am afraid. I poke and it falls apart. I blurt out truisms. I am not smart. I abstract the Situation; a lie repeated, further, to remember the whimper. Dull coal to dust. I lie on the floor. Am trying to sleep; on the floor – sleep is denied; empty the brain a bit.

Madness

I feel the madness, under the surface, it is screaming. Like my brain's boiling. Must keep it under control. Chaos has me. For a minute I feel good, for ten I'm sucked into the void, for five I hear the most beautiful music, for twenty I can't breathe, for fifteen words fill my head, crazed words, haunting words, dark words. Melodies. And a pain in my neck, in my back. There's a lot on my shoulders. The world. The universe is beating the shit out of me. But I get up. I can't not.
This is how I feel.

Wednesday, April 4, 2007

Arboreal

Night arboreal apes.
Limbs. Dead limbs, knowledge - we are apes.
Isn't that obvious. Yes it is.

Play with instinct. Trust yours and see theirs.
They gave it away
A dream
A fantasy built from fragmented information
To see
To hear
To smell
Touch the surface. The skin.
Zero dimension
What does it all add up to?
A pretty little simulation run by
Software. Patched up.
The Tower of Babel
The Apple
It's overkill
A rampant virus
Sucking it dry
For the sake of a stupid make believe game.
Is there any other way?
Not really,
We are just a step.
The next step can be whatever we want it to be.
A string of fuzzy bits collapsing,
Made un-fuzzy

Oxygen

as we grow older
the world becomes stranger
this is where I begin
if I could figure
why I'm big sinner
why I waste my time
in between sentences
that's where I've lost my mind
I can see the cycle
in a half circle coffee stain
there's rust in my brain
that's mostly the oxygen
counting the ways that somehow
don't matter at all
this is where I end
in the middle of nowhere
it's only small comfort
for those in my wake
this is where I end

Fusion

The thoughts of the afternoon were liquid in their beauty
the far way penny popping stranger walks along the roadside
I tell you, the air shifts in hills and valleys and you hear
The colors are a drip drip drip away from being real
But it's all fake, it's all a lie, a big drip drip way
A faint smile way, it's not as dark as you think
it's darker still, it's dark as rain, dark as thermonuclear fusion
offered as a distraction, a way to fight time.

Wednesday, February 14, 2007

Breathe

Keep your head above the water and breathe, big deep breaths. I feel strange these days. Like any day, any minute, something terrible'll happen. Fatalism is not good for the morale. I want freedom, yet I shackle myself. Go figure, it's the old cliché: I'm my own worst enemy. Life is life is life and there ain't nothing else, so get used to it. That's it. There should be something more, but no. I know. I'm just human, it's normal to want to be God. Almighty. To shit thunder and lightning. But no. I'm small. And yet: I am everything. I feel strange these days. The past is two dimensional. A narrative with blurry pictures and film. The future is black or white, never any shades of grey, it's hope and despair, it's either/or. Just two compartments. Cynicism is the denial of hope, even though it's there. The present, this minute, this second, is a dream. A fancy patchwork of colors and shapes and emotions. Try telling me you had a choice, back then. Making a list of what you've done. I'm not sure anymore. I'm an old lab rat. Conditioned. Bury me in an old shoe box. Flush me down. I feel strange these days.

Monday, November 20, 2006

Blink

This house is full of ghosts, spun webs and wind
Twenty five years ago, as seen on film
It was alive, with sun and light and joy
Tall grass, green eyes (strobe light without a noise)
The walls are stripped bare, the ceiling destroyed
What's left? Just the dream, in a corridor.
Night light, square tiles, all three doors are closed
Down stairs, turn right, on a carpeted floor
His ashes condemned without a fire
Raindrops on broken glass and rusted nails
The sun is bluer these days, it's colder
The smell of wood, smoke, my face has grown pale
Blink once, warm light, bedside, I fall asleep
Blink twice, blue light, nightlife, dead on my feet.

Angstrom Phillip Woodwim

Ben-Fulton in the Mist

Figures in windows with grass coming out of them;
Ben saw the river, water-ful and pulling with the moon
The moon in a coffee spoon, swooning with the lady
The lady counting sugar cubes
Cubes of mathematics
Because she was lonely
Lonely in the mist near the river with the figures
In windows with grass coming out of them.
Petite femme dans le gazon, aime moi,
Comme ces figures dans les fenêtres
Avec du gazon et la lune et le sucre en cube
Dans ma cuillère dans ma tasse le matin;
Tu es mal-odorante. Ma femme mon amour
Dans la brume qui marche.
Wo wohnst du, mein bitte kleine fraulich!

To Woo

Not John Woo. He is my enemy.
I have heard the flight of
Fiery bullets in the night
Through the very essence of my being
I have many masks, and one vision
Of birds boring into my brain
My skull cavity transpersed
Transversed, violated, for I have
In one man, found my nemesis.
He is John Woo.
Every man is so special. But John Woo.
He is evil.

Angstrom Phillip Woodwim (1819-2026) was born in Manchester, Kentucky, in a small baseball park overlooking a town. On a beautiful morning in August 1917, Angstrom found a minute (read: small) time machine on his porch and travelled back to 1775. He never returned. He wrote black poetry on sheets of granulated paper which he had customcrafted by the smith of the Indian village in which he never perished, later to be read by mankind, better than Shakespeare, for whom he had no respect. But he loved Queen Elizabeth. Ben Jonson, once wrote of Woodwim: "He truly is of this age. For many years birds on his balcony crapped on his poems and his neighbors burned his books (several times he was burnt at the stake by angry villagers) and for his blasphemous poetry, women shunned him and gave him smallpox. He is a true luminary, the precursor of the french movement led by Charles Baudelaire. Although his poems were all written in german, and his toes were not unlike Yeats' toes, his poetry was never recognized in Ireland."

Grey Suit

I'm on my way to a place where the sun appears at irregular intervals, a place where no one sleeps. A man in a grey suit knocks at my door, like he's done a thousand times. I wonder if he would come if I asked him not to. I don't sleep, ever; I look at a stream of letters, they're not talking to me. Just one symbol at a time, for ever. And the man at my door (I wish he wouldn't come so often) I wish he never existed. Like a starving animal exhaling for the last time I think: why bother? If I ask him, will he go? Knock. As I'm looking through the peephole I realize he's the only thing I can count on. Not the sun, just a man in a grey suit. Knock.

Matrix and the Serpent

The crazy poof cat waits under a chair
He lurks and wants to ambush and bite me
He jumps, grabs my leg and gives me a scare.
I call forth the serpent man, run kitty!
There's a girl, she whisks the purr purr away
The serpent man is angered, he hisses,
Pif paf escapes her grasp, he cannot stay;
The snake is coiled, his life's in crisis,
Under the stairs he goes, he wants to hide
Forever and ever, forked tongues and eyes
He will endeavor to avoid, besides:
His poof is eternal, he'll never die,
Arched back and racoon tail, he bites the snake,
The evil creature was just a fake!

The Elephant

A half circle coffee stain
Staring like an elephant in a window pane
Still, it's not what I wanted.
The elephant stands upright;
He looks at me and says
"Make the best of your life,
Make the best of your time."
Sure, why not, I tell him.

Fortune

Wings. Breasts. Drumsticks. All of it floating in a pool of butter. Enough to clog the hearts of a small village. Yep, I ate a full chicken. For the first time I felt like Fortune was smilling at me. Fortune, that’s the girl sitting across from me at the table. Her hair is green. Love. Not really, curiosity mostly. I feed her twice a day. She doesn’t complain. She never says a word. Now is the before sleep meal. She looks happy.

I found Fortune five years ago, she was sleeping under a bridge and my car broke down. She wasn’t moving but she was alive. I picked her up and put her in my trunk. After I got home I put her on the bed in my spare bedroom in the basement. For three days she just slept and stared at the ceiling. I figured she was going to die of dehydration if I didn’t manage to get some water into her. I stole an IV at the hospital where I worked. Fifteen IV bags later I heard sounds in the basement. She was looking for something. Probably drugs. She stank and was so thin I was amazed her frame could hold her up. So I put a bowl of rice on the night stand next to the bed. She was oblivious to me. She ignored the spoon and started eating the rice by shoving her face into the bowl.

In five years she hasn’t said a word. Maybe she can’t, maybe she’s a mute or something. I wont bring her to the hospital to find out. I don’t want to. What if they figure who she is? Can’t let that happen. I have a fascination for this thing. This girl. It’s not sexual or perverted. More like the affection you feel for a stray cat you pick up. I called it Fortune.

I’ve done some research, missing kids, milk cartons and all that stuff. Nothing, as far as the rest of the world is concerned she doesn’t exist. I want to keep it that way. I’m not a pervert or a sicko or a serial killer or any of that crazy shit. I’m a normal guy. I think. Her hair is green because I dyed it.

Today is Friday. I don’t work and I don’t have a calendar. It could be Sunday all the time. I just know it’s Friday because on the TV across from the buffet table is the Friday evening news. My picture is on the left corner of the screen above the news guy. The picture is from three years ago, it’s from my hospital card. I was a doctor. But I quit. I’ve found something more interesting. A Ghost. Forgotten. That’s what I thought, until now. Must have made a mistake, must have picked up the wrong cat.

Sunday, November 19, 2006

What I want to say

That's what I'd like to know, have I nothing to say? I sit down with my guitar, bust out a nice riff, sing a pretty little melody over it, doo-doo-doo style. Ok, that's good, now I want lyrics, not just words, but something I'd like to scream from the rooftops with a megaphone. Problem is, I'm not sure what I'd want to scream on rooftops. If I was put in front of a microphone, on a stage, and a million people were there, a huge crowd, waiting for me to say something, what would I say? "Listen, I'm sorry for the inconvenience but, because I'm such an apathetic loser, I have nothing to say to you people, except maybe that you shouldn't have wasted your time coming here. Next time you'll know better." Geez. That's great. I did write three verses; they're disjointed and they don't convey anything, really, they're just words that fit the music.

If ever all the stars in the sky
start to fall down in a gentle rain.
Tell me this, tell me why
Take your blank stare elsewhere;
You won't have to take the train
to go home, you're already there.

Si jamais toutes les étoiles dans le ciel
Tombe comme une pluie éternel
Dit moi, dit moi pourquoi
Tes yeux tournent autour de moi aujourd'hui
Mon esprit est crevé, parce-que je manque d'air
Seul en enfer.

Here's the song: Si Jamais

Saturday, November 18, 2006

Let me go

I feel your grasp around my neck, again.
What should I do, I can't shake you off.
Your cold fingers press against the back of my eyes.
I'm tired, so tired, I just want to sleep.
Get out, I want you to get out!
I'm not going to beg you, that's revolting, you're revolting.
It's what you make me, what you mold me into.
That's what frightens me the most, the pallid, the formless.
You're the monster that destroyed me.
I'm rebuilding, so just get the fuck out.
When I'm done, I'll never see you again.
You just wont be able to find me.
I hate you, I hate you, I hate you.
You make me small, you make me shit.
Stop, stop, stop strangling me, stop.
I'm afraid that if I look myself in the eye, I'll see you.
I'm just afraid that I'll give up, and let your hands crush me.
Let me go.